Emograph, 1972, ink on cardboard, 36 x 24 in.

Untitled, 1973, acrylic and pastel on paper, 30 x 22 in. 

2010-2017

Bachman, Dona. (2009) "Meet Herb and Dorothy Vogel." Southern Illinois University Carbondale - The Museum Newsletter (Spring 2009): 4. 

Cobb-Wright, Caroline. (2011) "All There, All Significant, All Equal." Richmond, Virginia: The Visual Arts Center of Richmond.

Eckhardt, Sarah and Martin Johnson. (Fall 2013) "Interview: On Collectors, Artists, Language, and Art." My VMFA: 19-21

For/Real: Martin Johnson and Valerie Hardy (2017)Williamsburg, VA: Linda Matney Gallery.

Kass, Ray. (Spring/Summer 2011) "Martin Johnson's 'ForInstance.'Folk Art Messenger 22, no. 3: 23-25. 

Kass, Ray. (2017) FOR Instance: The Art of Martin Johnson. Roanoke, Virginia: The Taubman Museum of Art. http://www.raykass.com/exhibitions-for-instance-the-art-of-martin-johnson/.

Proctor, Roy. (2011) "For Art's Sake." Richmond Times-Dispatch (August 11, 2011): G10.

Rychtarik, John and Leda Cempellin. (2010) Textural Structures: Selected Works from the South Dakota Art MuseumExhibition catalogue. Brookings, SD: South Dakota Art Museum. 

Theodore, Molleen, ed. Many Things Placed Here and There: The Dorothy and Herbert Vogel Collection at the Yale University Art Gallery. Exhibition catalogue. New Haven, CT: Yale University Art Gallery, 2013. 

2000-2009

Ball, Don, ed. (2008). The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States. Exhibition catalogue. Washington, DC: National Endowment for the Arts. 

1990-1999

"AMA Exhibit Opens Nov. 10." (November 1994) Arlington News: n.pag. 

"AMA Exhibit Runs Through Jan. 7." (December 1995) Arlington News: n.pag.

"Artists Exhibit Work at City Gallery of Contemporary Art." (September 1994) Up and Coming 3 no. 23: 2.

Boyd, Julia W. (1990) "Martin Johnson."Un/Common Ground: Virginia Artists 1990. Richmond, VA: Virginia Museum of Fine Arts.

Clark, William, ed. (1990) The William and Mary Review 28 (1990). 

Dobbs Ariail, Kate. (September 1994) "Fictive Fellows." The Independent Weekly: 29. 

"Forty-Four Four by Fours Fills Foundation Gallery." (1994) Artifacts: Art Museum of Western Virginia: 1.

Greenberg, Blue. (September 1994) "New Artworks are Deserving of Northern Telecom Awards." The Herald-Sun/Raleigh Extra: 54. 

Johnson, Brooks. (1990) The Portrait in America: The Chrysler Museum. Exhibition catalogue. Norfolk, VA: Chrysler Museum.

Kuspit, Donald. (1994) "Martin Johnson's Manic American Dream." New Work Fellowships: Northern Telecom, Nancy H. Margolis, ed., pp. 1-4. Raleigh, NC: The City Gallery of Contemporary Art.

Kutner, Janet. (December 1994) "Artists Recycle Discards for Varied Effects." The Dallas Morning News: n.pag. 

Kutner, Janet. (December 1994) "Spaces and Places: New Venues, Purchases Highlight the Year in Art." The Dallas Morning News: n.pag. 

Lee, Julia. (1994) "New Works Fellowships: Northern Telecom." City Gallery of Contemporary Art, Raleigh, North Carolina (Fall/Winter 1994); 4-5. 

Lindsay, Pamela. (1994) "Museum Program Allows Visitors to Create Works of Art." The Fort Worth Star-Telegram: n.pag. 

Mann, Karen A. (1994) "Best Bets: In the Galleries." The Independent. n.pag.

Margolis, Nancy H., ed. (1994) New Works Fellowships: Northern TelecomRaleigh, NC: The City Gallery of Contemporary Art.

South, Carissa. (1994) "Martin Johnson." Forty-Four Four by Fours. Exhibition catalogue. Roanoke, VA: The Art Museum of Western Virginia.

Tussing, George. (January 1990) "Johnson Explores Joys of Ambiguity in Works." The Virginian-Pilot and Ledger-Star: G9. 

Twardy, Chuck. (1994) "Personal, Political, and Post-Postmodern." n.pag.

Wienstein, Ann. (1994) "Art in View." V Magazine 4, no. 7: 13.

Wise, Jim. (October 1994) "That's Not Art, That's a Pile of Junk." The Herald-Sun Preview: 14. 

Unis, 2010, found objects + paint on canvas, 36 x 48 in.

Unis, c. 1990, mixed media on plywood, 32 x 48 in.

1980-1989

Annas, Teresa. (January 1988) "Homemade Art: Artists Dust off Household Objects for Exhibit that's Offbeat, Fun." The Virginian-Pilot. 

Annas, Teresa. (May 1988) "Art At Hand: Artist Transforms Found Objects to Help Grasp the Meaning of Life." The Virginian-Pilot (May 4, 1988): B1, B3.

Blyn, Stefany. (1982) P.S...P.S.1 at 1708 East MainExhibition catalogue. 1708 East Main Gallery, Richmond, Virginia. 

Coopersmith, Georgia, ed. (1982) Twentieth Anniversary Exhibition of the Vogel CollectionExhibition catalogue. Brainerd Art Gallery, State University College of Arts and Sciences, Potsdam, New York; University of Northern Iowa, Cedar Rapids, Iowa.

Barnet, Vivian. (1986) "Introduction." Drawings from the Collection of Dorothy and Herb Vogel. Little Rock, Arkansas: University of Arkansas at Little Rock, Department of Art Galleries.

Browing, Robert. (1981) Ikon Logos: Word as ImageNew York: The Alternative Museum. 

Close, Tim. (1988) "Enigmatic Constructions: (Retro)Active Art Work(s)." Portsmouth, VA: The Portsmouth Museums. 

Faccinto, Victor. (1984) Wake Forest University Visiting ArtistsWinston-Salem, NC: Wake Forest University.

Fressola, Michael J. (April 1988) "2 Exhibits on Harbor Grounds.Staten Island Advance. 

"Art: Insider / Outsider." (May 30/31). The Beacon. 

Jones, Thomas W. (1989) Sculpture Now: 10 VirginiansExhibition catalogue. Danville, VA: Danville Museum of Fine Art and History.

Kavanagh, Barbara C. and Kathe Frantz. (1988) "'Installations' Explores New Aspects of Installation Art." Snug Harbor Cultural Center.

Kuspit, Donald. (May 1985) "Martin Johnson." Artforum 23, no. 9: 108. 

Kuspit, Donald. (September 1983) "Martin Johnson at Phyllis Kind." Artforum 42, no. 1: 177.

McGreevy, Linda. (1988) "Culture Gulch: Johnson's Fun Found Objects at PFAC." Port Folio Magazine 1988, n.pag. 

McGreevy, Linda. (May 1988) "Cryptographic Glossolalia: Martin Johnson's Double-Edged Games." Arts Magazine 62, no. 8: 63-65.

McGreevy, Linda. (n.d.) "Sharp Show: Four Who Create Art from the 'Poor Man's Printing Press." 

McGreevy, Linda. (May 1985) "Art: Insider/Outsider." Port Folio 3, no. 2: 35.

Montoya, Robert. (Summer/Autumn 1989) Hoopoeno. 4: n.pag. 

Nilsen, Richard. (May 1985) "Martin Johnson, Catherine Fiutko Make You Think." The Virginian-Pilot and Ledger-Star: G14. 

Peterson, Patrick. (March 1987) "Copier Art: Artists Use Latest Technology.Daily Press. 

Ploog, Randy J. and Vivian Endicott Barnett, eds. (1986) Drawings from the Collection of Dorothy and Herbert Vogel. Exhibition catalogue. University of Arkansas Fine Arts Center Gallery, Little Rock; Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa; Palmer Museum of Art, Pennsylvania State University, University Park.

Review. (September 1983) "Reviews of Exhibitions: Martin Johnson at Phyllis Kind.Art in America 71, no. 8: 177. 

Review. (1988)  "Household Media." Port Folio Magazine. 

Robinson, John. (September 1984) "Reviews: Group Shows at Phyllis Kind." Arts 59, no. 1: 33.

Schwartzman, Allan. (January 1980) "Martin Johnson." Arts Magazine. 54: 6.

Trotter, Robert. (March 1986) "Miniature Works are Large on Talent." The Virginian-Pilot and the Ledger-Star, G12. 

Trotter, Robert. (January 1988) "'Household Media' Offers a Mixed Bag." The Virginian-Pilot and the Ledger-Star. 

Wallach, Amei. "Everyone wants to get into P. S. 1.Newsday (January 13, 1980): n. pag. 

1970-1979

Humphrey, Judy (1979). Appalachian National Drawing CompetitionExhibition catalogue. Boone, NC: Appalachian State University. 

Feldman, Eugene (1975). Painting, Drawing, and Sculpture of the 60s and 70s from the Dorothy and Herbert Vogel Collection. Exhibition catalogue. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania. 

Selections from the Collection of Dorothy and Herbert Vogel (1975). New York: The Institute of Art and Urban Resources. 

Ward, Alex. (August 1979) "Recycled Space for Artists." The National Endowment for the Arts, The Cultural Post, no. 24: 1-3.

Weinstein, Ann. (1979) "Brush With Sensuality Offered at Olin." Salem, Virginia. 

Wimmer, Terry. (c. 1978/1979) "Defining the Abstract Triggers Artist's Work." Sunday Gazette-Mail, Charleston, North Carolina. 

Compiled by Sarah Edith Kleinman, 2017–18